1986 : Soyez yaad e Aaref, bricoler Mohammad Reza Lotfi (). Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). Nava – Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah, and Dashti (1986). [42], In March 2016, Shajarian revealed that he had had kidney cancer for the past fifteen years. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). [20] He started playing the santour under the instruction of Jalal Akhbari to better understand and perform the traditional repertoire. Furthermore, playing the Shahbaang and Shahnavaaz is more convenient and in comparison to cello and contrabass, they weigh less and are smaller in dimensions, therefore, they can be moved with less difficulties in transports and travels. [2][3][4] He was also known for his skills in Persian calligraphy and humanitarian activities.[5]. [45], Shajarian transferred to hospital on 27 January 2020 and had a successful surgery. A feature that is not offered by violin family. This is not a fall with the whole system, Shajarian continues: "Several years ago, we had a concert in Stockholm with the Aref group, led by the living memory of Parviz Meshkatian. { 11 } Saaqi be nur e baade barafruz jaam e maa Motreb begu ke kaar e jahaan shod bekaam e maa Maa dar piyaale aks e rox e yaar dide'im Ey bixabr ze lezzat e shorb e modaam e maa Hargez namirad aanke delash zende shod be eshq Sabt ast bar jaride ye aalam davaam e maa Candaan bovad kereshme ye naaz e sahiqadaan Kaayad be jelve ye sarv e senobarxaraam e maa Ey baad agar be golshan e … Ad. Among these works are composers such as Mohammad-Reza Lotfi, Parviz Meshkatian, Hossein Alizadeh and Faramarz Payvar. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). Shajarian also learned Abolhasan Saba's vocal Radif from Payvar. Raast-Panjgaah concert with Mohammad Reza Lotfi in Raast-panjgaah (1976). Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Sepideh Album with Mohammad Reza Lotfi and the Sheydaa Ensemble in Maahoor. "We say you have no right to insult the people. Meri aankho ke … Playing the Baarbad is very convenient as it doesn’t have a bowl (belly) as big as Oud (Lute); In addition, the harmonies will be highly lucid and sonorous, regardless of the technique and method employed in playing. ][14] Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct style of singing. Sepideh Album with Mohammad Reza Lotfi and Sheyda Ensemble in Maahoor. 1985 : Bidaad, avec Parviz Meshkatian & Aref Ensemble; 1986 : Nava - Morakkab Khani, bricoler Parviz Meshkatian Hareph & Ensemble Referenser When they chanted, we just sat and listened, and they chanted. Our music has always been attacked or criticized by a class of religious people. Kereshmeh is a new instrument designed by the Iranian musician and vocalist M.R. Aaj Bahut Yaad Aaya Author: ShineMagic Published Date: July 10, 2010 Leave a Comment on Aaj Bahut Yaad Aaya. His works cover also some songs of Iranian ethnic music including Mazandarani music, Azeri music, Kurdish music and Lur music. Eshgh Daanad, avec Mohammad Reza Shadjarian (1981). The lyrics of the album speak of a wonderful place having been reduced to shambles and bloodshed, in which he sings in sadness "what happened?". This string instrument can cover the sound range produced by soprano, alto, bass and contra bass instruments. Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). Aastaan e Jaanaan with … [15] Since then his career has included teaching at Tehran University's Department of Fine Arts, working at National Radio and television, researching Persian/Iranian music, and making numerous recordings. Yaad-E-Jigar Posted in Yaad Shayari. Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). Tondar is a new instrument developed by the Iranian musician and vocalist M.R. Ghasedak med Parviz Meshkatian och Homayoun Shajarian (1994). [18], In 2012, he toured with the Shahnaz Ensemble with his daughter Mojgan and other band members. They had one son Homayoun and three daughters, Farzaneh (a.k.a. Doud-e-Oud with پرڤيز مشكاتيان and the Tehran Symphony Orchestra in Navaa (1987). Sepideh Album with Mohammad Reza Lotfi and the Sheydaa Ensemble in Maahoor. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). such a wide range of frequency is unique among all of its Persian precursors. Part 2 (Dowlat-e Eshq) features Hassan Yusefzamani (Composer), Ahmad Ebadi (Setar), AliAsghar Bahari (Kamancheh). They saw that we were not doing anything. He learned the vocal styles of previous generations of singers such as Hossein Taherzadeh, Reza Gholi Mirza Zelli, Qamar-ol-Moluk Vaziri, Eghbal Azar and Taj Isfahani. Chehre be Chehre with Mohammad Reza Lotfi in Navaa (1977). The sound box consists of 2 parts one of which is covered  by lambskin. aur ek mera makan aabaad hai . Main Tumhara | Beautiful Urdu Ghazal | FirkaeGhazal. Nava – Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). In 2017, Los Angeles Times cited him as the "Greatest living maestro of Persian classical music".[6]. Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). "Shajarian" redirects here. Doud-e-Oud con Parviz Meshkatian e la Tehran Symphony Orchestra a Navaa (1987). Shajarian and Golafshan divorced in 1993. [17], In 2008, he toured the world with the Ava Ensemble, composed of his son Homayoun (tombak and vocals), Hossein Behroozinia (barbat), Majid Derakhshani (tar), Hossain Rezaeenia (daf), and Saeed Farajpouri (kamanche). warna ye dil bhi kahan aabaad hai . He also studied under the guidance of master Abdollah Davami, from whom he learned many early Persian songs. Nava – Morakkab Khani مع پرڤيز مشكاتيان and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). “ShahrAashoob” family, that is alike violin family, consists of instruments in four different sizes; in ascending order the are as follows: soprano, alto, bass and double-bass. They recognize several different recipients, have runners-up and have third place. Nava - Morakkab Khaani con Parviz Meshkatian e l' Aref Ensemble in Navaa, Se-gaah e Dashti (1986). And get your money back and go. [13] This may have been the reason why he chose the stage name "Siavash Bidakani" in his early career as a singer, which did not last long, and soon he used his real name again. Background Profile Found - Reza Pour | mylife.com www.mylife.com Devoid Grail med Fereydoun Shahbazian (2004). © Copyright 2021 - Mohammad Reza Shajarian, Nominated for Grammy award in Best World Music (2004, 2006), French National Order of the Legion of Honour (2014). Dastan (album)|Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). The couple had one son, Ryan who was born in 1997 in Vancouver, Canada.[54]. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). The bridge is rested on one of them and the two others help the sound wave diffusion.similar to Tar, Saghar  has 3 double courses of strings each pair tuned in octave and the pairs tuned in fourths, so it covers a sound range of about 2 and 1-half octaves. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). [38], In an interview in 2016, Shajarian stated that "my criticism was a mistake of one person, I am not against the republic system. Aastaan e Jaanaan with Parviz Meshkatian and Naaser Farhangfar in Shur (1982). Devoid Grail with Fereydoun Shahbazian in Mahour and Dashti (2004). The children in the group were all upset. Kereshmeh is a member of the lute family with 7 main strings and 10 sympathetic ones. Traditional Crossroads (2000). Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). ek main aabaad hun is shahr mein . "IRAN: Famous singer Shajarian decries 'Language of Fire, "Mohammad Reza Shajarian: Iran's legendary singer dies in Tehran", "A Voice Of Iran, Master Singer Mohammad Reza Shajarian, Has Died", "Mohammad Reza Shajarian embodied the timeless beauty of Persian music", محمدرضا شجریان درگذشت + آخرین عکس و علت فوت, واکنش معاون اسبق وزیر ارشاد به ثبت ملی ربنای شجریان: «...تا ابد افسانه تو پایدار», "Shajarian strides across world music stage", Majid Kazemi - In Koja O An Koja (Adrenalism Album), "Iranian Maestro Mohammad-Reza Shajarian Dies at 80", درباره محمدرضا شجریان | خسرو آواز و اعتبار موسیقی ایرانی در جهان, "گزارشی از نمایشگاه ساز‌های ابداعی محمدرضا شجریان | موسیقی ما", دو شب از کنسرت چهره به چهره ، جشن هنر شیراز سال ۵۶, پیوند مهر ـ محمد رضا شجریان ـ فرهنگ شریف و جهانگیر ملک, بي تو به سر نمي شود/ گزارشي از برگزاري كنسرت هاي استاد محمد رضا شجريان در خارج از كشور, سخنرانی محمدرضا شجریان در دانشگاه کالیفرنیا, "محمدرضا شجریان: انتقادم به اشتباه یک فرد بود، با نظام مخالف نیستم", "استاد شجریان در آخرین مصاحبه‌اش: وقتی مردم دردی دارند من باید از درد دل آنها بگویم", "ناگفته های استاد شجریان در گفتگو با "ایران"/ سه سال خانه نشین بودم که بگویم توده ای نیستم/ " ربنا " چگونه خوانده شد؟ / نمی دانم حرف حساب افراطیون چیست؟/ یک هنرجوی خوب ابتدا باید بتواند خوب تقلید کند", Rudaw – Iran’s iconic singer Shajarian hints at cancer, refers to illness as ‘old friend’, چرا استاد شجریان با سر تراشیده پیام نوروزی داد؟ + ویدیو, یادداشت بهرام بیضایی برای تولد محمدرضا شجریان, "بستری‌شدن شجریان در بیمارستان؛ "عمل جراحی موفق بوده است, "استاد محمدرضا شجریان از بیمارستان مرخص شد", "بستری شدن دوباره استاد محمدرضا شجریان در بیمارستان؛ "خسرو آواز ایران" در اغما | صدای آمریکا فارسی", "Legendary Iranian singer Shajarian passes away", Paying tribute to Iran’s legendary maestro, "Mohammad Reza Shajarian, Iranian Master Singer and Dissident, Dies", "گفت و گویی با خانم کتایون خوانساری- همسراستاد شجریان", "Mohammad Reza Shajarian: Protest Through Poetry", وقتی شجریان، شوالیه فرانسوی ها شد +تصاویر, جایزه ویژه بنیاد آقاخان به محمدرضا شجریان تقدیم شد, Mohammad Reza Shajarian: Protest Through Poetry, Artwork inspired by Mohammad Reza Shajarian, https://en.wikipedia.org/w/index.php?title=Mohammad-Reza_Shajarian&oldid=1010956544, Articles with dead external links from October 2020, Short description is different from Wikidata, Articles to be expanded from February 2021, Articles needing translation from Persian Wikipedia, Articles containing Persian-language text, All articles that may contain original research, Articles that may contain original research from October 2020, Articles with specifically marked weasel-worded phrases from May 2020, Articles with unsourced statements from October 2020, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. In nine-string mode, a set of strings will be used so that Oud (Lute) players can easily play it. If possible, verify the text with references provided in the foreign-language article. Nava – Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). Some of the following albums are joint works between Mohammad-Reza Shajarian and Shahram Nazeri or Homayoun Shajarian. Saturday, 5 January 2019. American and European virtuosos have dubbed it “Persian Violin”. And When used as a six-string instrument, different types of Guitar and Banjo string sets will provide it with the best quality. [10][11], He was the oldest of five siblings, and studied singing at the age of five under the supervision of his father by recitation of the Quran. Sources Nava – Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). 1986 : Nava - Morakkab Khani, Avec Parviz Meshkatian; 1986 : Sepideh, avec Mohammad Reza Lotfi & Sheydaa Ensemble. Aastaan e Jaanaan with Parviz Meshkatian and Naaser Farhangfar in Bayaat e Zand (Turk) & Sur (1982). Ghasedak with Parviz Meshkatian and Homayoun Shajarian (1994). Sepideh ALBUM with Mohammad Reza Lotfi and the Sheydaa Ensemble in Maahoor. kis ke ye naqsh-e-qadam hain KHak par . Dar Khiaal with Majid Derakhshani in Segaah & Bayaat e Zand (Turk) (1995). He also asked IRIB (Islamic Republic of Iran Broadcasting) to stop broadcasting his songs. Serr-e-Eshgh with Parviz Meshkatian and Mohammad Mousavi in Maahoor. These instruments offer the functionality of violin family with eastern musical color. The front plate is entirely of goat or lamb skin and the body is made of different types of wood such as: walnut, mulberry, ash and maple. Baarbad’s musical color and sound character slightly differs by changing the skin, and by choosing a thinner or thicker type of skin you can produce a more melodious sound that you desire. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Cheshmeye Noush with Mohammad Reza Lotfi and Majid Khaladj in Raast-panjgaah. WikiZero Özgür Ansiklopedi - Wikipedia Okumanın En Kolay Yolu [43] He appeared with shaved hair in his Nowrouz congratulation video, published on his YouTube account. Dastan (album)|Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). His father, Mehdi, was a Quran qari, as was his grandfather Ali Akbar. [46] He was released from hospital on 25 August but was hospitalized again on 5 October. Mohammad-Reza Shajarian (Persian: محمدرضا شجريان ‎; Persian pronunciation: [mohæmːæd ɾeˈzɒː ʃædʒæɾiˈɒːn], 23 September 1940 – 8 October 2020) was an Iranian vocalist and master of Persian traditional music. I myself am fundamentally opposed to deviant music. Shajarian in 2008. However, it should reminded that the function of skin, wood, metal and rubber (caoutchouc), etc. [6], In an interview with Hamid Reza Nourbakhsh in 2016, Shajarian said that he was not against the Islamic Republic and that his protest was only against one person (Mahmoud Ahmadinejad). Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). It covers about 4.5 octaves which grants the player a choice of much lower frequencies than santur. Consequently, musicians can apply their desired type of skin in order to produce a more melodious and euphonious tone of their choice. Raast-Panjgaah concert, avec Mohammad Reza Shadjarian (1976). Anuncios relacionados con: Dashti Mohammad-Reza Shajarian. Aastaan e Jaanaan with … [22] Davami also passed on to Shajarian his own interpretation of the Radif. Share to Twitter Share to Facebook Share to Pinterest. Faryaad with the Masters of Persian Music Ensemble in Raast-panjgaah (2003). He also performed with his daughter Mozhgan Shajarian. Yaad e Yaar Just Urdu Poetry and Ghazals, Pictures. Peyvande Mehr (album) with Farhang Sharif (1984). his first commercial recording meant to represent the voice of an oppressed people in Iran. dil mein yaad-e-raftagan aabaad hai . Of course, some of the deviant music can be like this. Later it turned out that the organizer was one of them, so I came backstage and told him as much as I could. 1986 : Be yaad e Aaref, avec Mohammad Reza Shadjarian 1993 : Cheshmeye Noush , avec Mohammad Reza Shadjarian et Madjid Khaladj 1997 : Abu-Ata Concert , avec Mohammad Reza Shadjarian The instrument can be played in 2 manners:holding under the chain -like a Violin-or resting between the knees while the player has seated in a chair. He mentioned that his famous song "Iran, Ey Saraye Omid" (Iran, the land of Hope), has no relation with the current situation of his country. For his son, see. His main teachers were Ahmad Ebadi, Esmaeil Mehrtash, Abdollah Davami, and Nour-Ali Boroumand. [50] A private religious ceremony was held following day at Behesht-e Zahra in Tehran, before his body being transferred to Mashhad. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). [citation needed], Shajarian has indicated support for Iranians protesting against the 12 June 2009 Iranian presidential election results. [47][48], Shajarian died on 8 October 2020 at the age of 80 at intensive care unit of Jam Hospital in Tehran. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). The soprano and alto instruments can be played alike “Kamancheh”. Since this is a specific recognition and is different from losing an award, runner-up mentions are considered wins in this award tally. For simplification and to avoid errors, each award in this list has been presumed to have had a prior nomination. Certain award groups do not simply award one winner. This is not a fall with the whole system. As the bridge has rested on the skin, the sound timbre of the instrument is greatly influenced by its thickness and quality. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Nava – Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). Raheleh), Mojgan and Afsaneh. [44] Bahram Beyzai composed a poem after announcement of Shajarian's illness and described it as a sad day in happy days of Nowruz. Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). Perhaps the light of humanity will get through to your heart too" — They chanted against the Islamic Republic. Bi To Be Sar Nemishavad with the Masters of Persian Music Ensemble in Navaa and Bayaat e Kord (2002). Since the two other members of this family had not been designed, for bass and double-bass tones harmonious with Del-o-Del, two instruments of “ShahrAashoob” family, “Shahnavaaz” and “Shahbaang” were employed in “Innovative Instruments Orchestra”. at January 05, 2019 No comments: Email This BlogThis! Sepideh Album with Mohammad Reza Lotfi and the Sheydaa Ensemble in Maahoor. Furthermore, this instrument presents its own particular sonority, since the plate under its bridge is made of skin and the back plate can either be made of skin or wood upon the instrumentalist’s taste. [12], At the age of 12, he began studying the Persian classical repertoire known as the Radif without his father's consent as studying and performing music was against his father's religious beliefs. [26][27], Shajarian's Bidaad album was recorded after a three-year hiatus from commercial recording. [49] The cause of his death was not immediately made public. harf-e-ehsas-e-ziyan aabaad hai . He has cited legendary Persian tar soloist Jalil Shahnaz as highly influential to his development, indicating that he has often tried to mimic Shahnaz's playing style in his singing. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Zemestaan Ast' med Hossein Alizadeh och Keyhan Kalhor (1999). But the nature of music is not deviant. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). Reputation Profiles include free contact info & photos + criminal & court records. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). [21] In 1971, he was introduced to Faramarz Payvar and took santour lessons with him. download Be Yaadet by Mohammad Esfahani plus lyrics After coming out in support of the Iranian Green Movement and criticizing the Iranian government, he was banned from holding concerts and releasing music. [51] He was buried at the Tomb of Ferdowsi in Tus, Mashhad, on 10 October. Saghar sound box is carved from mulberry wood and the top surface of it has partly covered by 3 pieces of thin membrane. Dastan (album)|Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). Sorahi is a new Iranian musical instrument, a member of the family of Bowing string instruments, developed by the Iranian musician M. R. Shajarian. Be yaad e Aaref con Mohammad Reza Lotfi in Bayaat e Turk (1986). As soon as we were present on the group stage, they started chanting. The bass instrument is named “Shahnavaaz” and the double-bass, “Shahbaang”. Shajarian.The soundboard of the instrument is covered by a skin against  which rest the bridge. used in soundboard beneath the bridge, is contrariwise to the strings, videlicet, the thinner they become, the more low-pitched sounds, and the thicker they become, the more high-pitched sounds they will deliver. Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct style of singing. Be yaad e Aaref, avec Mohammad Reza Shadjarian (1986). I told the person announcing the program to say behind the microphone In honor of those who bought tickets and came from far and near, we performed this ballad. Poetry by Hafez, Saadi and Baba Taher (1977). Having 4 strings,Sabu can cover a sound range near to Violin. Chehre be Chehre, avec Mohammad Reza Shadjarian (1977). We accept the clergy and religion". Some ordinary people who came also shook hands with us to start our work. [16], Shajarian was not always in music groups, but he did the vocals for the Masters of Persian Music with his son Homayoun Shajarian, as well as two other ostads, Kayhan Kalhor and Hossein Alizadeh. Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Saghar is a new instrument from the lute family designed and made by the Iranian musician and vocalist M.R. [music.iranseda.ir/DetailsProgram/?VALID=TRUE&g=109578 چکاد], Konsert-e Mohammad-Reza Shajarian Va Gorooh-e Shahnaz Dar Dubai, BBC Persian Service: Mohammad Reza Shajarian Passes Away, Master of Persian Classical Music: Mohammad Reza Shajarian, "Asia Society Presents: Mohammad Reza Shajarian, Classical Music of Iran", "Mohammad Reza Shajarian, classical singer revered in Iran, dies at 80". Shajarian had collaborated with musicians such as Parviz Meshkatian, Mohammad Reza Lotfi, Hossein Alizadeh, Faramarz Payvar, Dariush Pirniakan, and Sohrab Pournazeri. Wednesday, 7 March 2018. Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa (1987). Dastan (album)|Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). We had two parts of the program, in each of which there were five ballads, and we only performed the last ballad, and we got up and went out, and the children brought their instruments. He was recognized as a skilled singer in the challenging traditional Dastgah style. [39], Lyrics of his song "Language of Fire," issued in September 2009, — "Lay down your gun, Come, sit down, talk, hear. Sepideh with Mohammad Reza Lotfi and the Sheydaa Ensemble in Dashti. Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah (1987). kaun aise mein yahan aabaad hai . Dastgah Chahargah (live version of Dastan) concert with Parviz Meshkatian and the Aref Ensemble recorded live in Bonn (1987). Eshgh Daanad with Mohammad Reza Lotfi in Aboo Ataa (1981). Zemestaan Ast with Hossein Alizadeh and Keyhan Kalhor in Maahoor and Homaayoun (1999). Shajarian. Saboo is a novel bowed string  instrument developed by the Iranian musician and vocalist M.R. His mother was Afsar Shahverdiani, who died in 2007. [19], Shajarian studied with Esmaeil Mehrtash, Ahmad Ebadi and Nour-Ali Boroumand. Nava - Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986). “Del-o-Del” , is an instrument with eastern sonority and also baroque musical color and character. From:- Indresh Tiwari. Aaj rootha huwa ik dost bohot yaad aaya, Acha guzra huwa kuch waqt bohot yaad aaya..! In addition, via changing the skin, bridge or the soundboard beneath the bridge in each of these four instruments, you will be able to modify their musical color according to your taste. Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun (1985). Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk (1986). Mohammad-Reza Shajarian (Persian: محمدرضا شجريان‎; Persian pronunciation: [mohæmːæd ɾeˈzɒː ʃædʒæɾiˈɒːn], 23 September 1940 – 8 October 2020)[1] was an Iranian vocalist and master (Ostad) of Persian traditional music. [23], Mohammad Reza Shajarian has taught many students in the field of singing, some of whom are:[24], Shajarian is creator of many instruments. Afsaneh married Parviz Meshkatian. Shajarian.Tond ar can be considered as a member of zitter family of instrument specially imilar to santur in persian music. “Baarbad” is a double-character instrument. [7][8][9], Mohammad-Reza Shajarian was born on 23 September 1940 in Mashhad, Iran. [original research? Golbang-e Shajarian, Part 1 (Bot-e Chin) features: Ali Akbar Sheida (Ballads), Fereydun Shahbazian](Composer), Faramarz Payvar (Santur), Hushang Zarif (Tar). Nava - Morakkab Khani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti (1986).

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