In the series made up by Fifth Family Triangle (2013), Fifth Family Square (2014), and Fifth Family Pentagon (2014) Farmanfarmaian plays with frames—articulating basic form through absence. Mirror on plaster and wood Both drawings make a good case for the imaginary context in which Farmanfarmaian’s corporeal forms exist. Fifth Family Pentagon, 2014 (detail) Untitled Triangle 2, 2016. In her work, rigorous structure and repetition are the foundations of invention and limitless variation. You can help », A message from Phong Bui Critical Perspectives on Art, Politics and Culture, Monir Shahroudy Farmanfarmaian: Mirror-works and Drawings (2004–2016), Canal Street Research Association: Shanzhai Lyric, Vida Americana and the Promise of “America”, Felipe Baeza: Through the Flesh to Elsewhere. On Hexagon, 2012 48 WALKER ST NEW YORK NY 10002 NEW YORK NY 10013 In Geometric (2014), a looming hexagon pulses, floating on a seemingly endless bed of interlaced scalene triangles. View Monir Shahroudy Farmanfarmaian’s artworks on artnet. Monir Shahroudy Farmanfarmaian died on 20 April in Tehran, aged 97. 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In an architectural context, the mirror mosaic is about splendor. 27 3/4 x 39 3/8 in 30 3/4 x 47 1/4 in See more ideas about instagram posts, iranian art, female artists. “Monir … Untitled, 2008. Exile in New York. Monir and her family just happened to be on a short trip in New York when the Islamic Revolution erupted in 1979. Apr 21, 2019 - Explore Sophie Volland's board "Monir Shahroudy Farmanfarmaian", followed by 272 people on Pinterest. 29 1/8 x 59 1/2 in In Iran, Āina-kāri is a form of interior design, used to decorate throne and prayer rooms; Farmanfarmaian’s genius was to realize that it could be transformed into an object. 79 1/2 x 79 1/2 in In Untitled (D3), independent circular motifs are held together in a constellation over a square grid by a thick red band that sharply folds in on itself. Iran. Monir Shahroudy Farmanfarmaian, Iranian artist. Monir Shahroudy Farmanfarmaian (* 16.Dezember 1922 in Qazvin, Iran; † 20. 9 Elements employs a relatively simple vocabulary of patterning, focusing on squares and 45 degree angles, except for a radiant center roundel. TEL 212.714.9500   It combines the rich patterns and geometry found in the folk art heritage of her native Iran with the modern abstract art of the New York City avant garde. Felt marker, color pencil and mirror on paper Mixed-Media. Mirror and reverse-glass painting on plaster and wood Tribeca Monir Shahroudy Farmanfarmaian, Untitled (Sculpture 2), 2008, mirror, paint, plaster, wood, 29 x 29 x 19”. Monir Farmanfarmaian: The Breeze at Dawn Has Secrets to Tell You The Third Line is pleased to present The Breeze at Dawn Has Secrets to Tell You, a solo exhibition featuring Monir Shahroudy Farmanfarmaian’s most recent body of work. is a sculptor and journalist from New York. Farmanfarmaian plays with the notion of regularity, which is central to Islamic notions of design—and her main channel of complexity and abstraction is to move through pattern, not against it. Iranian artist Monir Shahroudy Farmanfarmaian, who achieved renown late in life for her dazzling mirrored mosaic works and glass paintings, has died at age 97. Not surprisingly, we are lost in the miniscule changes taking place from facet to facet of Farmanfarmaian’s predictable but intransigent patterns. MONIR SHAHROUDY FARMANFARMAIAN Monir Farmanfarmaian, née Monir Shahroudy, (born January 13, 1923, Qazvin, Iran—died April 20, 2019, Tehrān), Iranian artist who was known for her mirror mosaics and geometric drawings that bore witness to her cosmopolitan perspective, informed by a life journey that encompassed Persian culture and the Western art world. Art A Love Letter to Artist Monir Shahroudy Farmanfarmaian On now through March 6, James Cohan Gallery in New York presents a two-part solo exhibition of the late Monir Shahroudy Farmanfarmaian’s work. Mirror work on plaster ball 22,5 x 23 x 23 cm. Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975, 1975. The Third Line is a Dubai based art gallery that represents contemporary Middle Eastern artists locally, regionally and internationally. Monir is best known for her geometric mirror-works, in which cut polygonal fragments of reverse-painted, reflective glass are arranged into kaleidoscopic compositions grounded on principles of Islamic geometry. Monir Shahroudy Farmanfarmaian: Fourth Family: Heptagon, 2013, mirror, oil paint, glass and PVC, 48 by 48 by 13¾ inches; at the Guggenheim Museum. We stand in solidarity with those affected by generations of structural violence. These pieces unfurl in regimented mathematical choreography, and while for some viewers the objects may achieve a level of finish that is too perfect—like a well-cut gem—it is here where Farmanfarmaian stays most true to the liturgical roots of her art, sticking with the self-contained and self-reflexive geometries of Islamic architecture. Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. This is the first time Farmanfarmaian’s work has been shown in Ireland. admin. 74 x 151 cm This is the late artist’s first exhibition with James Cohan. 151 x 151 cm, MONIR SHAHROUDY FARMANFARMAIAN Installation of 9 elements, 2004 Her current exhibition, on view in both the Walker Street and Grand Street locations of James Cohan Gallery, begins with a series of maze works on Walker Street: Triangle Maze, Square Maze, Pentagon Maze and Hexagon Maze (all 2014). Each constituent piece is a regular symmetrical form, but positioned in close proximity to each other they attempt to create a balanced composition around a central point. The exhibition travels to Sharjah Art Foundation in 2019. MONIR SHAHROUDY FARMANFARMAIAN (1922 - 2019) HOME. 27 1/2 x 39 3/8 in Felt-tip pen on paper Spanning mirrored mosaics, sculptural assemblage, drawings, textiles and monotypes, Monir’s multidimensional practice centered on incorporating elements from her inherited past into her own designs—which blended a range of compositional influences, from classical Persian interior decoration to Western modernism. Monir Shahroudy Farmanfarmaian hops from one foot to the other, weighing the relative virtues of unpredictability and rationalism. In her work, rigorous structure and repetition are the foundations of invention and limitless variation. The puzzle of interlocking incised mirror patterns lifts apart along a series of fault lines, and each segment becomes a sculptural element in its own right. The second half of the exhibition is on Grand Street, where Farmanfarmaian leaves symmetry behind in drawings and her Installation of 9 Elements (2004). View Monir Shahroudy Farmanfarmaian’s artworks on artnet. In cut glass mirror inlay, the interlocking pieces are placed at regular angles and incisions are made into the glass surface itself. The exhibition will span both of the gallery’s locations, with a presentation of three major sculptural series in Tribeca and a selection of the artist’s geometric drawings, related sculptures, and a nine-element installation in the Lower East Side. Mirror, reverse glass painting, plaster and natural glue on wood Felt marker, color pencil and mirror on paper Skip to beginning of content. More “My work is largely based on geometry which, as you know, always begins with a single point and can move from there into a circle. Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. Use of Traditional Techniques. My poetry is in my art, and I am honoured to share it in this IMMA exhibition” Monir Shahroudy Farmanfarmaian. Purchased 2009. 27 1/2 x 39 3/8 in Booth B9. To book an appointment to visit the exhibition in person, please click here. JAMES COHAN James Cohan is pleased to present an exhibition of work by Monir Shahroudy Farmanfarmaian, on view from January 29 through March 6 at 48 Walker Street and January 29 through February 27 at 291 Grand Street. Untitled, 2012 Fifth Family Pentagon, 2014. Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. The … 100 x 100 cm, MONIR SHAHROUDY FARMANFARMAIAN Black Lives Matter. Edition 2 of 2, MONIR SHAHROUDY FARMANFARMAIAN The art of Monir Shahroudy Farmanfarmaian reflects a life lived between two cultures. The artwork is a border, embellished with pointed extrusions, but an empty center presents the wall behind the work as the purest evocation of its geometry. Decagon, 2008, MONIR SHAHROUDY FARMANFARMAIAN 51 x 72 cm. Hexagon, 2010 291 GRAND ST While the drawings are preparatory to Āina-kāri pieces, they are also a means of re-linking the artist’s practice to its architectural origins: the drawings present asymmetrical matrices, a stand in for space, in which the artist’s forms are embroidered into a supporting fabric. Featuring Monir Shahroudy Farmanfarmaian in Darz, Showing her Artworks collection, Browsing Monir Shahroudy Farmanfarmaian life timeline including her acadamic achivements, Discovering Monir Shahroudy Farmanfarmaian awards, Featuring her shows, Being able to add and edit the informations related to Monir Shahroudy Farmanfarmaian timeline and artworks, All in Darz Born in Qazvin in 1924, the artist studied art at the University of Tehran at the Faculty of Fine Arts in 1944 and later, left for New York rather than France due to the outbreak of WWII. Collection of the artist. Page 1 of 1. Monir Shahroudy Farmanfarmaian was born in Iran in 1924 and is well known for her dazzling approach to geometric abstraction, primarily in the mirror reliefs and drawings she has been making since the 1970s that derive from ornamental elements in traditional Islamic architecture. 70 x 100 cm, MONIR SHAHROUDY FARMANFARMAIAN Claudia Andujar: anthropophagie?, fényképezés, yanõmami! Renowned to be one of the most emblematic figures of Modern and Contemporary Iranian art, Monir Shahroudy Farmanfarmaian truly depicts her own personality in her oeuvre.

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